This self-referential musical plays for the most part in director Lars von Trier's Dogme95 style, with edgy camera work and improv-seeming performances. But it repeatedly segues into fantasized songs that don't look like any other musical numbers in film, with their video blur look-brighter.
“I’ve seen it all/There is no more to see.”
How beautifully Björk portrayed her on screen. It's a journey to a new world through music. Rhythm dwells in rhythm; when it is not found, it will find us all by itself through Windows of emotions. Selma wellspring her all emotion in reality and fantasy.